re constantly bombarded with information and we all know the facts: exercise is good for you,The state’s inaction resulted in the damage, the bench heldordering the government to repair and rehabilitate more than 500 damaged places of worship The court said when the government had paid compensation for damaged houses and commercial establishmentsit should also pay compensation for religious structures The high court also put in place a mechanism that will check and report the system of rehabilitation It asked all claimants to approach all 26 principal district judges across the state in the next two months The judges have to then clear claims in the next six months The government has one month to reply to its orderthe bench said The petitioners lawyer Yusuf Muchhala said their 2003 plea mainly relied on three reports of the National Human Rights Commission (NHRC)which stated it was the duty of the government to protect places of worshipand in this instancethe government had failed to do so According to the petitionerthere are 294 religious places which were damaged fully or partially during the riots HoweverMuchhala said the government has admitted there are around 595 such damaged structures Another lawyer M T M Hakim hailed it as a “landmark judgement” in the country “This is also probably for the first time that a court has held the state government responsible for inaction and negligence during the 2002 riots” Hakim said For all the latest News Archive News download shlf1314n Express App More Related News In a severe indictment of the chief minister, a costume-wear of performers of traditional dances such as Mohiniattam and Kaikottikalli and the traditional festive wear, It is believed to have been introduced in Kerala under the rule of His Highness Maharaja Balaramavarma and his chief minister Ummini Thampi in the early 19th century.According to ‘Study and Documentation of Balaramapuram Sarees & Fine Cotton fabrics’ a research paper the leaders brought about a revolution in the handloom industry by inviting members of the ‘Shaaliyar’ weavers’ community from Nagercoil in Tamil Nadu and offering them a place of respect and pride within the state The weavers reciprocated by showing their gratitude by successfully using the cottonavailable in the market to make hand-woven cotton garments for the royals of Travancore The sudden rise in demand for hand-woven saris caught the attention of the Dutch and Portuguese exporters as well A portrait of Mahaprabha Thampuratti of Mavelikkara Raja Ravi Varma’s daughter holding her son Marthanda Varma (Source: Wikimedia Commons) Interestingly the barter system which became common after Vasco da gama reached Kerala involved the exchange of gold for spices in return The upper class women and the royals saw this as an opportunity to make use of the gold by weaving it into the hand-woven saris Also known as Kerala kasavu the origin of the traditional sari has also been traced to ancient Buddhist literature While the kasavu sari is a one-piece cloth the mundu-neriyathu which it closely resembles and takes after has references in Buddhist literature wherein it is known as ‘Sattika’ The mundu is referred to as antariya in the Buddhist context and the neriyathu (the cloth covering the upper part of the body) is referred to as uttariya in the ancient Buddhist-Jain texts The gold rimmed borders of the sari has long been speculated to be inspired by the Graeco-Roman costume called ‘palmyrene’ — an attire that consists of a piece of long unstitched cloth called ‘palla’ that had a coloured or designed border which was worn over a long flowy garment Explaining how a traditional wear is highly influenced by the colours and vibrancy of the region Aswathi Thirunal Gauri Lakshmi Bhai the current princess of the Travancore royal family compared Kerala’s kasavu with the traditional wear of Rajasthan “For example the clothes worn in Rajasthan are very colourful and vibrant Because there are deserts in that region the women wear jewel-toned vibrant hued-clothes On the other hand Kerala is brimming with colours especially green So it is okay if the clothes aren’t colourful enough This is why the colour of the kodi (the kasavu mundu) is very dear to us” she told iemalayalamcom The Kerala kasavu sari now ceases to be just identified as the simple traditional wear of women in the region With more and more actors warming up to the cream and golden elegance it has now become more of a fashion statement even in all its simplicity Study & Documentation of Balaramapuram Sarees & Fine Cotton fabrics: The Pride of God’s Own Country (http://s.handloomsnicin/writereaddata/Balaramapuram%20Sarees635701520378938440pdf) For all the latest Lifestyle News download shlf1314n Express App IE Online Media Services Pvt Ltd More Top News money and effort involved in creating a ramp construct and the fact that you’re reaching out to only the few hundred people who make it to the venue, download shlf1314n Express 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